Take ten minutes of your day to watch this. You’ll have a better day, most certainly.
Sir Alec Guinness deemed George Lucas’ dialogue “rather creaky, but I kept turning the pages…” Case in point: in the pivotal scene where he and Luke are in Obi-Wan’s cave, the original line is: “You must do what you feel.”
Guinness, in the fashion of the best actors, simply and wonderfully added …”what is right, of course.” And it was instantly improved. “You must do what you feel is right, of course.”
This and many more insider secrets of the making of Star Wars is available thanks to a superfan named Jambe Davdar. (Han Solo smoking a cigarette in the cockpit of the Millenium Falcon is not to be missed.) Cinematical has all 14 parts of this not-for-profit documentary at their site. There are many things the Jawa-type scavengers among us have seen before, but there’s also a lot of new stuff. Highly recommended for fans.
It goes without saying (and the ensuing guilt trip) that many Bothans died to bring us this information.
IMPERIAL UPDATE: THIS INFORMATION HAS BEEN WITHDRAWN FOR YOUR PROTECTION. SEE ATTACHED 27B/6 DOCUMENT TO CONCUR.
Having heard much about Casey Affleck’s fauxumentary about Joaquin Phoenix’s transformation from actor to hip hop star, I felt I was prepared to finally see I’m Not Here with a firm attitude of “Yeah, Right.” I have to say the final product is at times hilarious, flat, annoying, brilliant, and insightful. But hands-down, my favorite part is when Edward James Olmos confers with our hapless hero to offer him some advice. The scene involves a cut where Joaquin ostensibly and silently offers up his latest rhyme as Olmos’ words flow over it.
That’s you, drops of water and you’re on top of the mountain of success. But one day you start sliding down the mountain and you think wait a minute; I’m a mountain top water drop. I don’t belong in this valley, this river, this low dark ocean with all these drops of water. Then one day it gets hot and you slowly evaporate into air, way up, higher than any mountain top, all the way to the heavens. Then you understand that it was at your lowest that you were closest to God. Life’s a journey that goes round and round and the end is closest to the beginning. So if it’s change you need, relish the journey.
Then he tells “JP” that when the spotlights are on him, the inner light can’t be seen; it can only be illuminated during the dark times.
I’m not sure, but I’d bet that was scripted. Like the whole faux thing, an exposition of fame crafted by Phoenix and Affleck. But damn, it’s good.
This amazing mockumentary, narrated by Jeremy Irons, reminds us of the intentions of the plastic bag. It also reminds me of a particular segment from George Carlin’s brilliant piece, “The Planet is Fine.”
The planet will be here for a long, long, LONG time after we’re gone, and it will heal itself, it will cleanse itself, ’cause that’s what it does. It’s a self-correcting system. The air and the water will recover, the earth will be renewed, and if it’s true that plastic is not degradable, well, the planet will simply incorporate plastic into a new pardigm: the earth plus plastic. The earth doesn’t share our prejudice towards plastic. Plastic came out of the earth. The earth probably sees plastic as just another one of its children. Could be the only reason the earth allowed us to be spawned from it in the first place. It wanted plastic for itself. Didn’t know how to make it. Needed us. Could be the answer to our age-old egocentric philosophical question, “Why are we here?” Plastic…asshole.
There are hundreds of examples of a good documentary. Very few stand out as illuminating as others, and Dogtown and Z-Boys is one of the best. It incorporates all of the elements of a powerful doc. It educates, it has an interesting topic, and it moves the audience through exposing various details of the topic. But the best, most powerful docs, are the ones that really use the freedom of editing and music.
In this look back at an incredible period in the evolution of skateboarding, Stacy Peralta and his old pals from Dogtown are presented in an editing template that is its own being. The excellent blending of interviews, still photos, video footage from the 1970s, a soundtrack to die for, and some clever film editing effects propels the whole experience. This is enhanced by the intimate stories each of these people have to tell.
As I previously noted, Lords of Dogtown is still up, along with this original at Crackle. It’s interesting to compare the two; Jeff Ho, for instance, is not included in the fictional account. The real Z-Boys make obscure appearances throughout Lords, including a scene where Jay Adams interacts with Emile Hirsch, playing young Jay. And also, the actor who played Tony Alva in Lords looks a helluva lot just like him. I also love how both movies payed homage to the things that made the team great, from Pacific Ocean Park, to the fan who was dying of cancer. Watch the documentary first, then the true-to-its-source movie.
This is the most mesmerizing, unexpectedly educational video I saw today. Shamans and tattoos and Cultural Relativism, oh my!
Here’s a super-short documentary about the making of Close Encounters of the Third Kind. It’s amazing what memories you can stir up by finding things on YouTube; I totally remember the poster advertising this, mid 1977.