Run That By Me Again, Terminator 2?

01/18/2013

Quite some time ago, I blogged Run That By Me Again, Top Gun?, a simple observation on the lack of logic in a successful and otherwise entertaining movie I like. I could have made a series out of this phenomenon, but I chose to wait until the next time I re-watched a favorite and noticed a glaring lapse in logic I hadn’t noticed before.

That time is now.

chill

(Carolco)

Thanks to Netflix (thank you!), I had the opportunity to see Terminator 2: Judgement Day again. Let me be clear that this James Cameron film is one of my all time favorite examples of how an action movie should flow, complete with explosions, cars getting the shit knocked out of them by big rigs, bullets flying everywhere, and, signaturely, that THUMP sound when Mr. Terminator shoots and reloads his grenade launcher. But even a perfectly scripted adventure like this can have the writers wedge in a scene that doesn’t make any sense, when you think about it.

Case in point: The Cyberdyne  Building Sequence.

So we have a T-1000, who “knows what the T-100 (Arnold) knows about Miles Dyson”, but is not tipped off to the reports on his police radio about a situation at goddamn Cyberdyne until Sarah Connor’s name is mentioned. OK, fair is fair. But here’s where T2 writers went off the map… but it’s all for a cause.

 

T1000

 

The T-1000 shows up late for the party, but clearly observes that some shit has gone down, probably at the metallic hands of his adversary —  the lowly T-100 series douche who has been fucking this whole mission up since the arcade scene.

Hmmmm, better be careful here. I think I’ll creep into this door, here…

Door

And from there, I’ll awkwardly gun my awesome copcycle up some flights of stairs…

Stair

Because…. WHY?

As we all know, by the time this lethal machine has done all of this, Mr. Terminator and his wife and kid have escaped and are speeding away in a fucking police vehicle.

RUN THAT BY ME AGAIN?

Okay, I’m a huge fan of this story line because it presents a villain that is even more threatening than its predecessor, to the point of irony in some moments. But come on, T-1000, did you suffer from a logic chip malfunction?

You’re a fucking COP in a COP UNIFORM. Of course you could have walked right into the fray of their escape, and carried out your mission, stabbing the absolute shit out of anything that got in your way, and planting a bullet into your target’s gasmasked face. But, no. You chose the more difficult, slinky, obstinate path. I’d accuse you of being a Randian, but I know why you did it. It was so you could do this:

smash

…And land on that helicopter for a stunning stunt. Why the hell else would a terminator in police uniform sneak around, up a staircase on a freaking traffic cop’s motorcycle, unless he was really just down for some helicopter snatching. Oh, and about that helicopter…

Why is it even anywhere near the building after this happens?

explosion

(All images courtesy Carolco Films)

 

 


Under Blood Red Skies

05/21/2009

https://i0.wp.com/www.filmofilia.com/wp-content/uploads/2008/11/terminator-salvation-concep.jpg

The whole PG-13 rating decision had me turned off to Terminator Salvation, but now reviews are pouring in that it may actaully still have promise.  I understand they are introducing a young Kyle Reese, which makes me certain there’ll be at least one more movie as Reese takes the time travel plunge in the final chapter.

From the previews and artwork I’ve seen, and given that the director is music video master, McG, I wonder if they considered Judas Priest’s song, “Blood Red Skies” as a soundtrack item.  I can totally see it as final credits music.  Check it out here, and come back to tell me I’m wrong.